Foley: A technical process by which sounds are created or altered for use in a film, video, or other electronically produced work. 2. A person who creates or alters sounds using this process.
Diegetic sound: Sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voices of characters. sounds made by objects in the story.
Non diegetic sound: is represented as coming from the a source outside story space.
Pitch: the quality of a sound governed by the rate of vibrations producing it; the degree of highness or lowness of a tone.
Rhythm: a strong, regular repeated pattern of movement or sound
Sound bridge: When the sound from a previous scene carries quietly into the next scene. Or when the sound from the next scene is heard before the image appears on scene
Diegetic sound: Sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voices of characters. sounds made by objects in the story.
Non diegetic sound: is represented as coming from the a source outside story space.
Pitch: the quality of a sound governed by the rate of vibrations producing it; the degree of highness or lowness of a tone.
Rhythm: a strong, regular repeated pattern of movement or sound
Sound bridge: When the sound from a previous scene carries quietly into the next scene. Or when the sound from the next scene is heard before the image appears on scene
Sound motif: A sound effect or combination of sound effects that are associated with a particular character, setting, situation or idea through the film. The use of sound motifs can help shape a story that requires many characters and many locations and help unify the film and sustain its narrative and thematic development
Score: original music written specifically to accompany a film.
Crescendo: is a way for composers to indicate that a passage of music should gradually increase in loudness over time (opposite of a decrease in volume which is described as a 'decrescendo').
Score: original music written specifically to accompany a film.
Crescendo: is a way for composers to indicate that a passage of music should gradually increase in loudness over time (opposite of a decrease in volume which is described as a 'decrescendo').
Ambient sound: the normal sound which exists in a particular scene or location
Asynchronous sound: an effect which occurs when the sound is either intentionally or unintentionally out of sync with the image. If the sound is unintentionally asynchronous, this is the product of bad editing. If intentionally asynchronous, the film maker is usually attempting to indicate to the audience that they are watching something unreal, that they are watching a film and not observing real life.
Dialogue: the things that are said by the character
Asynchronous sound: an effect which occurs when the sound is either intentionally or unintentionally out of sync with the image. If the sound is unintentionally asynchronous, this is the product of bad editing. If intentionally asynchronous, the film maker is usually attempting to indicate to the audience that they are watching something unreal, that they are watching a film and not observing real life.
Dialogue: the things that are said by the character
Timbre:
Hyperbolic sound:
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